❖ Casa de Cultura y
Museo Club de Lauderos
The history of this cultural center began in 1929 when, by the decree of General Lázaro Cárdenas who was then president of Mexico, this place was built as a boarding school for indigenous children where they were taught trades, art, Spanish, and sports.
Today, it continues to educate as a center for the arts, putting on exhibitions, presentations, and art and handicraft workshops. Paracho’s most important places come together here: Museo Club Lauderos A.C. (museum run by stringed instrument makers), the Archivo Fotográfico de Paracho (Paracho’s photography archive), Taller de Juguete Popular (folk toy workshop), Sala de Conciertos Jesús Valerio Sosa (concert hall), and Biblioteca Pública Eduardo Ruiz (public library).
It is also the setting for larger cultural and artistic events: Festival Internacional de Globos “Cantoya Fiesta y Color,” celebrated with lighted sky lanterns; Tianguis Artesanal de la Feria de la Guitarra, the artisan’s market during the international guitar fair; Concurso Estatal del Juguete Popular, the state folk toy contest; and the Concurso Nacional de Constructores de Guitarra, in which guitar makers from around the country compete, as well as expos showcasing the region’s culinary and artisanal skills. When entering this place, you can’t miss the Pueblo de Guitarras mural by Oaxacan artist Amaury.
❖ 16th-Century Community Chapels
The Tarascan Plateau is home to churches and chapels from the 16th century that were created by indigenous artists who turned their interpretations of sacred texts into gorgeous, colorful coffered ceilings.
Many of them are dedicated to Saint James, such as the ones in Charapan and Nurío. A tour of the religious architecture from the first part of the colonial period in the towns of Aranza, Ahuirán, Nurío, and Pomacuarán illustrates the combination of European architectural expertise with local knowledge of building materials to create these works of sacred art.
Zacán and Cocucho hold other chapels with great architectural value, but the chapel of Tupátaro deserves a special mention. Set in the Purépecha zone of the lake region, it is known far and wide as the Sistine Chapel of the Americas.
❖ Pirekuas
Pirekua is the traditional singing style of the Purépecha people of Michoacán, performed by men and women. In addition to being a rich form of expression in the Purépecha language, it conveys feelings and communicates the community’s important events, making it also an important form of social connection.
The lyrics speak of love and courting women, of the townspeople’s political views and social thought, and of the community’s religious beliefs.
In 2010, the UNESCO declared pirekua to be Intangible Cultural Heritage. The best way to hear this music is by attending any of the festivals organized in Paracho.