❖ Museo de los Tres Juanes
This museum revives the historic face-off with the French from the inside out. Round out your visit to the museum by listening to the corrido written by Bernardo Vera Santos. The song narrates the feats of the town’s three famous Juans.
At the Centro Cívico Cultural there’s a museum that combines pre-Hispanic artifacts found in the region with Tetela’s most prized objects—the ones that recall the town’s role in the Battle of Puebla, when the Second French Intervention gave Mexico a bunch of heroes and a date to remember: May 5, 1862. Thus, in the first gallery you’ll see vessels, mortar handles, arrowheads, metates (grindstones), and fragments of figurines pertaining to the time before the Spanish Conquest.
In order not to forget the events of the bellicose 19th century, nor the liberal tendency that marked the town in those times, the second gallery displays a canon used during the war, a pair of flags found on the battlefield, and an image of Melchor Ocampo to who Tetela now owes its name.
Perhaps the museum’s greatest treasure, however, is the portraits of “Los Tres Juanes” (The Three Juans): Juan Crisóstomo Bonilla, Juan Nepomuceno Méndez, and Juan Francisco Lucas (the first two were Tetela natives, the latter was born in Zacapoaxtla), the liberal leaders who fought against the French at the head of the Sixth Battalion of the National Guard of the State of Puebla and who would later, in 1867, join the Plan de Tuxtepec launched by President Porfirio Díaz.
The museum collection also shows some of the tools used in the olden days in the nearby mines and has a scale reproduction of a forge.
The townspeople used to spend much of their time forging metals, but little by little the activity has fallen in disuse. A couple of traditional suits and palm and wood handicrafts round out the experience.
❖ Iglesia de Santa María de la Asunción
Multiple archeological remains found in the region lead to the hypothesis that buried underneath this church was, in the pre-Hispanic era, the largest ceremonial center in the area.
There’s a bridge over De La Paz Avenue that you just have to climb to reach Iglesia de Santa María de la Asunción. It’s a gothic church with a Latin cross.
Its main facade features neoclassical columns and an arch encompassing the main entrance. Though the 19th-century construction is colored yellow and sits alone in its atrium, you need only climb the belltower to understand that it’s the mist-filled hills and not the church walls that guard the Holy Virgin.
Inside, the robust architecture includes two barrel vaults with beams mounted on cantera stone ashlars that combine and terminate in a splendid copula.
Depicted on this dome vault are the four annunciations to Mary and her assumption in body and soul to heaven. Below, the Virgin awaits at the altar with open arms.
Surrounded by angels and cherubs, she has her eyes set on the oil painted heaven of the copula. An enormous chandelier hangs from this vaulted ceiling, adding glitter and shine to one’s encounter with the Queen of Tetela. In March 2012, the church earned the title of Church of the Year.
❖ Murales históricos
Historic pride depicted on the walls. See for yourself!
You can learn about Tetela’s history by looking at the murals that adorn the side walls of the Palacio Municipal, or City Hall. There are two in the Assembly Hall: one looks like a codex and explains how the town was created.
The other depicts the Battle of Puebla in high relief. However, it’s the mural on the arches of the Palacio Municipal that give a more dramatic account of the details of that glorious episode when the Tetelenses and other citizens of the highlands defeated the French. In it appear the figures of Benito Juárez, Ignacio Zaragoza, and Melchor Ocampo. There’s also “Los Tres Juanes” (The Three Juans), with their somber countenances and that dignified air that only the defense of sovereignty affords.
Titled Fecha inmortal (Immortal Date), it’s the work of Sergio Ávalos, the artist who worked on the construction of the monument honoring the Sixth Battalion of the National Guard of the State of Puebla, located in the main square.
In the monument’s central body you can read the harangue attributed to General Ignacio Zaragoza, before the May 5, 1862, battle. It’s crowned by a Republic Eagle. There are six steles with different allegories showing key episodes in the French Intervention.
Don’t miss the murals titled Identidad (Identity) and Centenario (Centennial) at Paso de Carranza. The former is found on Veinte de Noviembre Street and sums up what makes Tetela proud: strength and resistance. The latter, located at Siete Poniente Street, tells of the arrival of then General Venustiano Carranza to these highlands.